Phil Tippett is the Oscar-winning stop-motion animator and designer behind some of the greatest fantasy creatures and sci-fi set pieces in cinema history. The Coen Brothers: Where and How to Begin a Film? Low Budget Film Production - How to Make a Feature Film CHEAP! According to a 1983 People interview, attempting to maneuver in the suit felt like “a cross between a crippled person and a baby,” an understandable complaint for someone skilled in pantomime, where the fluidity of movement is essential. Related: Lawrence Kasdan & J.J. Abrams: Screenwriting ‘The Force Awakens’. By now it’s evident that Star Wars’ wardrobe was uncomfortable for both man and beast — and for the extras that played the Ewoks in Return of the Jedi, being a part of an epic film saga nearly didn’t reconcile having to wear stifling fur suits. amzn_assoc_tracking_id = "indiefilmhustle-20"; Related: Knowing When Not to Use Visual Effects, [Note: This video contains a very minor spoiler about a special effects sequence in Star Wars: The Force Awakens]. Thanks. They talk to David Poland about bringing this landmark series back to life. By adding motion blur to every frame, the animation sequence was smoothened and devoid of the rigidity inherent in stop-motion effects. The original Star Wars trilogy remains a testament to this adage as it continues to ignite the imagination of aspiring filmmakers — and it’s obvious why: creator George Lucas and all hands involved pushed themselves beyond their physical and mental thresholds to blur the line between fantasy and reality. Mardji, a 25-year-old Asian elephant, was brought from her home at California’s Marine World Africa USA — currently rebranded as Six Flags Discovery Kingdom — to Death Valley for the Tusken Raider scenes, fitted with a shaggy bantha costume. The AT-ATs, what with their diverse mechanisms and weaponry, definitely required far more precision to manage than the tauntaun. TM & © Lucasfilm Ltd. All Rights Reserved. Learn the secrets behind the Star Wars saga’s many innovative visual effects, from the Death Star’s detailed interiors to the towering AT-AT walkers. Please share it in your social networks (Facebook, Twitter, email etc) by using social media buttons at the side or bottom of the blog. Star Wars Episode II (Visual Effects) ILM VFX Breakdown Reel, Star Wars From Puppets To Pixels: Digital Characters In Episode II: Attack of the Clones, Star Wars: The Force Awakens IMAX® Behind the Frame, Breaking Down J.J. Abrams Directing Style and Techniques, Lawrence Kasdan & J.J. Abrams: Screenwriting ‘The Force Awakens’, ← FREE Screenwriting Master Classes: Top Ten List, IFH 207: Inside the Visual Effects of Star Wars: The Last Jedi & ILM with Dan Cregan →, Sean Baker: How to Shoot a Feature Film on Your iPhone - IFH, Michael Polish: How to Make Money Selling a No Budget Film. amzn_assoc_ad_mode = "manual"; Are you hungry for Star Wars behind the scenes footage? Daniels even recalled a moment, in his interview for the documentary Empire of Dreams: The Story of the Star Wars Trilogy, when the costume’s left leg split and broke through the plastic on his foot, piercing his skin. In order to facilitate this procedure, a special stage with hatches was constructed to allow the animation team to prairie-dog between shots and tinker with the models. The injury was minor and didn’t hinder his performance, but it goes without saying that it, compounded with the blistering heat, was unpleasant. This is from the 1992 VHS of the documentary. Landspeeder, don’t bantha, over to his blog and Twitter at @Steven_Romano. Steven Romano is a writer, a geek culture enthusiast and, above all, a longtime fan of the galaxy far, far away. amzn_assoc_ad_type = "smart"; Regardless, said Philpott, they were essentially flying blind, straining to keep in coordination and not hit any actors or crew members by accident. Enjoyed Star Wars Films VFX : The Ultimate Visual Effects Breakdown? Designed by visual effects supervisor Phil Tippett at Industrial Light & Magic and its construction overseen by makeup department lead Stuart Freeborn, the Jabba the Hutt puppet was a massive undertaking matching the scale and complexity of any Jim Henson creation at the time. Adam Savage went behind-the-scenes at Tippett Studio to watch Phil Tippett and his team create the stop-motion animation sequence, and learns a secret about how this cameo connects to the original Star Wars! In the short documentary Life Inside Jabba the Hutt by filmmaker Jamie Benning, co-puppeteer Toby Philpott opened up on the amount of physical effort and ingenuity that went into manipulating Jabba. amzn_assoc_placement = "adunit0"; The Holochess animation Easter egg in Star Wars: The Force Awakens was truly a labor of love, and the team who made it used a variety of interesting technologies to create it. Please upgrade your browser to experience the site. The duo discuss with David Poland how the effects came to life on the set/in camera. Crazy! Episode VII: The Force Awakens: New Hope for Visual Effects The new approach to the Star Wars franchise makes the most of both the more traditional world of physically-based effects and modern, high-end computer-based effects. After having a religious moment when watching Star Wars: The Force Awakens, I had to put this post together for all the indie film hustlers into visual effects. Use a Facebook account to add a comment, subject to Facebook's, 6 Obscure Behind-the-Scenes Facts from the Prequel Trilogy, 5 Reasons Why It’s Tough Being a Droid in, 6 Fascinating Behind-the-Scenes Concepts from the. We visit the shop of Mike Senna, veteran robot builder, to follow his progress creating his own BB-8. C-3PO Heck No! amzn_assoc_title = ""; Because a dehydrated Ewok is an unhappy Ewok. Improvements to the costume in Return of the Jedi, by that time constructed of lighter elements, failed to solve another lingering issue Daniels faced when performing. Instagram: @ifilmhustle, YouTube: Indie Film Hustle TV Or post to your blog and anywhere else you feel it would be a good fit. amzn_assoc_region = "US"; Creative wisdom says that unless you’re willing to invest the necessary amount of enthusiasm and labor into your project, then you might as well walk away and never look back. amzn_assoc_search_bar = "false"; Who’d have thought that operating one of the galaxy’s most slothful, hedonistic gangsters would take a whole lot of work? In the same People interview from 1983, actress and stuntwoman Debbie Carrington — who many should remember as Total Recall’s Thumbelina — compared the costumes to saunas, requiring the crew to constantly hand out bottles of Gatorade. Each video below is titled and goes into all aspects of the Star Wars films’ visual effects, special effects and overall making of the amazing saga. Audiences doubtless wondered if Lucas had hired a team of geneticists upon seeing the woolly mammoth-bighorn sheep hybrid known as the bantha. Some of these videos are OLD SCHOOL. The above 3D Animation was created by Platt College student Ryan Ritterbusch. The new Star Wars: The Force Awakens VFX breakdowns and interviews are just plan AWESOME! Within the tail, utilizing a control lever and a system of pedals was Mike Edmonds, whose small stature was ideal for remaining inconspicuous. See how Industrial Light & Magic crafted complex action sequences, detailed environments, and realistic characters with the help of advanced motion-capture technology and performances from actors like Lupita Nyong’o. Well a lot of Indie Film Hustlers were asking me to put together a behind the scenes post after the popularity of my last SW list: Star Wars VFX: The Ultimate Visual Effects Breakdown. IFH: Indie Film School, […] If you liked Sean Baker: How to Shoot a Feature Film on Your iPhone, then you’ll love: How to Shoot and Sell Six Feature Films in a Year with Joe Swanberg […], […] If you liked Michael Polish: How to Make Money Selling a No Budget Indie Film, then you’ll love: How to Shoot and Sell Six Feature Films in a Year with Joe Swanberg […], […] If you liked The Martin Scorsese Film School, then you’ll love: Breaking Down Stanley Kubrick’s Directing Style […], […] If you liked Screenwriting Story Structure Made Easy, then you’ll love: The Writer’s Journey: The Screenwriting Blueprint with Chris Vogler […], […] If you liked The Coen Brothers: Where and How to Begin a Film?, then you’ll love: Breaking Down Stanley Kubrick’s Directing Style […], […] If you liked Micro Budget Film Production – How to Make a Feature Film on the CHEAP, then you’ll love: How to Shoot and Sell Six Feature Films in a Year with Joe Swanberg […], […] If you liked Vilmos Zsigmond: Cinematography Masterclass, then you’ll love: Art of Cinematography with Suki Medencevic A.S.C […], […] If you liked Top 50 Filmmaking Quotes to Inspire, then you’ll love: Breaking Down Stanley Kubrick’s Directing Style […], […] If you liked Alfred Hitchcock: Breaking Down the Master’s Techniques, then you’ll love: Breaking Down Stanley Kubrick’s Directing Style […], […] If you liked Screenwriting Blueprint: How to Create a Bulletproof Screenplay Structure?, then you’ll love: How to Write Screenplays That Sell with Michael Hauge […], […] breaking EVERY box office record, being loved by critics and audiences alike, Star Wars: The Force Awakens is what we like to call in the business…A BLOCKBUSTER […], […] If you liked Why is Music from Marvel Cinematic Universe So Forgettable?, then you’ll love: How to Work with a Music Composer with Cris Velasco […], […] Are you a Star Wars: The Force Awakens Fan? Each video below is titled and goes into all aspects of the Star Wars films’ visual effects, special effects and overall making of … Crazy! If you are into visual effects behind the scenes then sit back and enjoy over 16+ hours of Star Wars visual effects breakdowns and exclusive interviews. Some effects were more arduous than others, but few compare to the following that were responsible for so much blood, sweat, tears, and aching muscles. The crew had plenty of trouble preventing her from removing the costume, likely stretching their patience to the limit (and eating into the production schedule). Here’s Indie Film Hustle with Star Wars Films: The Ultimate Visual Effects Breakdown. All things considered, having your character’s face slapped on cereal boxes across America makes for some nice light at the end of an otherwise long tunnel. One of the many surprises in Star Wars: The Force Awakens that delighted fans was the appearance of the Dejarik holochess game on the Millennium Falcon. Podcast: IFH Podcast All three kept in perfect sync thanks to individual monitors displaying their actions. Vilmos Zsigmond: Cinematography Masterclass - Indie Film Hustle, Top 50 Filmmaking Quotes to Inspire - Indie Film Hustle, Alfred Hitchcock: Breaking Down the Master's Techniques, Screenplay Structure Made Easy - Screenwriting Blueprint, Lawrence Kasdan & J.J. Abrams Screenwriting Star Wars, Why is Music from Marvel Cinematic Universe So Forgettable? Crammed into the Hutt’s cranium alongside him was Dave Barclay, the latter responsible for operating Jabba’s right arm and mouth as well as providing voicework for lip-syncing; Philpott handled the left arm, waggled the slime-encrusted tongue, and pivoted the head. We’ll be updating this post with new video breakdowns from Star Wars: The Last Jedi. amzn_assoc_marketplace = "amazon"; This is the television documentary From Star Wars to Jedi: The Making of a Saga that originally aired on PBS on December 3, 1983. This week, we return to Tippett Studio to chat with this sequence’s art director, visual effects supervisor, armaturist, and head puppet fabricator, Frank Ippolito, about the fabrication of these stop-motion puppets! Visual effects that took George Lucas’ VFX company ILM (Industrial Light and Magic) weeks to do can now be done in minutes on my laptop today. Social Media Coordinator, Educational Representative and Platt College VFX Alumni. Go behind the scenes with J.J. Abrams and the cast to see how they used IMAX cameras to put Star Wars fans into the center of the action like never before. Mike Seymour goes behind the visual effects that earned “Star Wars: The Force Awakens” an Oscar nod. Twitter: @indiefilmhustle  Below is a collection I put together of the best visual effect breakdowns and behind the scenes documentaries available on the net. This created a dimension of supposed realism in the tauntauns and AT-ATs, but the amount of work that went into making the magic possible was painstaking and time-consuming. Mardji eventually managed to keep the bantha suit on, though her diva antics certainly left a sour taste in many a mouth. Visual effects that took George Lucas’ VFX company ILM (Industrial Light and Magic) weeks to do can now be done in minutes on my laptop today. Filming A New Hope’s Tatooine scenes in California’s Death Valley and in Tunisia was an unforgiving ordeal for the cast and crew, especially for anyone wearing a piecemeal suit of aluminum, brass, and plastic over a black body glove (not exactly breathable materials). Likes bunnies, video games, cooking and taking frequent trips to Disneyland. Yet like all of Star Wars’ special effects, the secret behind the creature’s existence was less scientific abomination and more surprisingly simple. Both of them already have Oscars, but Neal Scanlan and Chris Corbould added a fresh set of Oscar nominations to their resumes for the new Star Wars. It was an enraptured gaze at concept artist Ralph McQuarrie’s famous painting of C-3PO that drew Anthony Daniels to the role, stirred by the droid’s vulnerable humanity juxtaposed against a desolate alien landscape. Animators would spend an hour or more capturing over 20 frames that, together, composed a mere second of footage; the miniatures were moved less than an inch with the utmost care — even the slightest miscalculation could ruin the walk cycle’s flow and mean reshoots. - IFH, Star Wars Behind the Scenes: Force Awakens' Ultimate List, Inside Star Wars 7 Force Awakens Post Production Workflow, The Best of Filmmaking & Video Production December 2015 • Filmmaking Lifestyle. In ‘My Life in Monsters‘,VICE chronicles Tippett’s legendary life work, illustrating the process behind his greatest creations, the emotional hardships of transitioning into Hollywood’s digital revolution, and completing his return-to-form, stop-motion opus with the brutal, dystopian ‘Mad God‘. Ever since BB-8 first made its appearance in the first Star Wars: The Force Awakens teaser, droid builders have been trying to figure out how to make their own working replica. The Martin Scorsese Film School: Learn from the Master! […], DOWNLOAD 2000+ SOUND EFFECTS LIBRARY FOR YOUR INDIE FILM PROJECTS, Inside the Incredible Visual Effects of “Star Wars: The Force Awakens”, Star Wars: The Force Awakens – The On-Set FX Supervisors. I was so impressed by the practical and visual effects of Star Wars: The Force Awakens that I wanted to share with you how George Lucas and the gang made the magic come alive in the first six Star Wars films. http://www.vice.com/read/ahmed-best-jar-jar-binks-interview, http://www.slashfilm.com/j-j-abrams-reveals-some-maz-kanata-backstory-as-the-next-star-wars-the-force-awakens-tv-spot-arrives/, http://www.theverge.com/2016/1/14/10766772/see-how-star-wars-crew-made-the-force-awakens-special-effects, http://www.slashfilm.com/force-awakens-visual-effects/, http://www.slate.com/blogs/browbeat/2016/01/15/star_wars_the_force_awakens_vfx_reel_shows_how_new_worlds_are_made_and_destroyed.html, http://www.imdb.com/title/tt0076759/awards, http://www.imdb.com/title/tt2488496/awards, “Wish Man” movie screening at Platt College San Diego.

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