His most familiar role was as the bandleader cum narrator in the 1956 musical High Society in which he sang the title song and performed a duet with Bing Crosby on "Now You Has Jazz". They endured several hours on the train to remote Richmond, Indiana, and the band was paid little. Armstrong was born and raised in New Orleans. [91] Armstrong's laxative of preference in his younger days was Pluto Water, but when he discovered the herbal remedy Swiss Kriss, he became an enthusiastic convert,[91] extolling its virtues to anyone who would listen and passing out packets to everyone he encountered, including members of the British Royal Family. Il est critiqué pour avoir accepté le titre de « Roi des Zoulous » pour le Mardi Gras en 1949. Armstrong moved to Los Angeles in 1930 to seek new opportunities. When the mob insisted that he get out of town,[56] Armstrong visited New Orleans, had a hero's welcome, and saw old friends. In 1970, Louis and Lucille appeared on The Mike Douglas Show to demonstrate the preparation red beans and rice, a dish so enjoyed by Armstrong that he signed correspondence "Red Beans and Ricely Yours". ? He recorded Hoagy Carmichael's "Rockin' Chair" for Okeh Records. Il fut le premier Afro-Américain à organiser une émission de radio nationale dans les années trente. It has given me something to live for. With his instantly recognizable rich, gravelly voice, Armstrong was also an influential singer and skillful improviser, bending the lyrics and melody of a song. Son charisme d'homme de scène et de personnalité publique était si fort vers la fin de sa carrière qu'il éclipsait parfois ses contributions de musicien ou de chanteur. He rarely publicly politicized his race, to the dismay of fellow African Americans, but took a well-publicized stand for desegregation in the Little Rock crisis. At the end of it, he was hospitalized for a heart attack. in 1964. Sa technique d’interprétation est remplie de mélodies innovantes, joyeuses et inspirées, de bonds créatifs et de rythmes subtilement relâchés ou forts. Lire la suite, On l'appelait « Fatha », de l'anglais father (père), tant son influence a été considérable sur tout ce qui compte en matière de piano jazz. Claude Nougaro lui rend hommage dans sa chanson Armstrong, qui reprend la mélodie de Go Down Moses. After a tour across the country shadowed by the mob, he fled to Europe. [106] He kept a strong connection throughout his life to the cooking of New Orleans, always signing his letters, "Red beans and ricely yours ..."[107], A fan of Major League Baseball, he founded a team in New Orleans that was known as Raggedy Nine and transformed the team into his Armstrong's "Secret Nine Baseball". Le chanteur John Scatman lui rend hommage dans sa chanson Everybody Jam. Leur mariage dure quatre ans, « quatre années de torture et de passion » (marquées par de nombreuses scènes de violence et de jalousie), avant de se solder par un divorce le 18 décembre 1923[12]. In 1931, Armstrong appeared in his first movie, Ex-Flame and was also convicted of marijuana possession but received a suspended sentence. Louis Armstrong, né le 4 août 1901 à La Nouvelle-Orléans en Louisiane et mort le 6 juillet 1971 à New York, est un musicien de jazz et chanteur afro-américain. De nombreux enregistrements d'Armstrong continuent à être populaires. 18 (Prince Hall) in New York, no such lodge has ever existed. [58], During the 1920s, Louis Armstrong brought a huge impact during the Harlem Renaissance within the Jazz world. Armstrong était un virtuose de la trompette et un improvisateur inspiré. He also became second trumpet for the Tuxedo Brass Band. L'influence d'Armstrong sur le développement du jazz est sans pareil. [138] Dedicated in April 1980, the park includes a 12-foot statue of Armstrong, trumpet in hand. D'une musique de folklore afro-américaine initialement enracinée dans le gospel et le blues traditionnel et enfermée dans un terroir, Armstrong a fait un courant musical national et populaire à vocation universelle. Captain Joseph Jones ran the home like a military camp and used corporal punishment. À cette époque, il enregistre beaucoup et apparaît dans plus de trente films. Ces problèmes de lèvres l'amèneront à développer son côté chanteur, lors des concerts et dans les enregistrements, étant donné qu'au-delà d'une certaine durée, il ne lui est plus possible de jouer de sa trompette. [128][129], The Rock and Roll Hall of Fame listed Armstrong's West End Blues on the list of 500 songs that shaped Rock and Roll.[130]. récits Willie Gary Johnson prétendait être né en 1879, avoir joué avec le légendaire Buddy Bolden et avoir appris le cornet au jeune Louis Armstrong. Louis Armstrong est présent et adore la chanson. "I just play music. Une des principales caractéristiques du style Nouvelle-Orléans est la polyphonie permanente : les musiciens jouent et improvisent, tous ensemble, du début à la fin du morceau. In the summer of 2001, in commemoration of the centennial of Armstrong's birth, New Orleans's main airport was renamed Louis Armstrong New Orleans International Airport. [30], Armstrong played in brass bands and riverboats in New Orleans, first on an excursion boat in September 1918. [59] His impact touched many, including a well-known man during that time named Langston Hughes. 9". The uniquely gravelly coloration of his voice became a musical archetype that was much imitated and endlessly impersonated. This group was called Louis Armstrong and His All Stars and included at various times Earl "Fatha" Hines, Barney Bigard, Edmond Hall, Jack Teagarden, Trummy Young, Arvell Shaw, Billy Kyle, Marty Napoleon, Big Sid "Buddy" Catlett, Cozy Cole, Tyree Glenn, Barrett Deems, Mort Herbert, Joe Darensbourg, Eddie Shu, Joe Muranyi and percussionist Danny Barcelona. After returning to the United States, he undertook several exhausting tours. [91], Armstrong was one of the first artists to use recordings of his performances to improve himself. Louis Armstrong a une étoile à son nom sur le Walk of Fame d'Hollywood, au 7601 Hollywood Boulevard. Selon les fichiers de la police, il y fait un long séjour après avoir tiré un coup de feu en l’air avec un pistolet pour fêter la nouvelle année. Partager Tweeter. In addition, Richmond was associated with the Ku Klux Klan. [99] He wore the Star of David in honor of the Karnoffsky family, who took him in as a child and lent him money to buy his first cornet. Armstrong appeared in films such as High Society (1956) alongside Bing Crosby, Grace Kelly, and Frank Sinatra, and Hello, Dolly! Lynn Rene Bayley, "More Jazz: 'Louis Armstrong – The Early Years". He sponsored a local baseball team known as Armstrong's Secret Nine and had a cigar named after him. Armstrong rencontre dans un bar mal famé de la petite ville de Gretna en Louisiane où il donne un concert, une entraîneuse, Daisy Parker. ». Plusieurs autres dates ont été avancées, parmi lesquelles le 4 juillet 1900, jour de la fête nationale américaine (Independence Day) ; la date du 4 août 1901 semble désormais avérée. [76], Armstrong made his last recorded trumpet performances on his 1968 album Disney Songs the Satchmo Way.[77]. is one of his most recognizable performances. Pour que tout fonctionne correctement, veuillez rafraîchir le site. Armstrong enregistra trois albums avec Ella Fitzgerald: Ella and Louis, Ella and Louis Again, et Porgy and Bess pour Verve Records. [80] In the video with Armstrong standing at her side, Lucille prepares his favorite red beans recipe and refers to "Louie" several times. Albert was from Boutte, Louisiana, and gave birth at home when she was about sixteen. [7] At least three other biographies treat the July 4 birth date as a myth. [20], When Armstrong was eleven, he dropped out of school. Son charisme d'homme de scène et de personnalité publique était si fort vers la fin de s… Armstrong did, thinking the track would be discarded, but that was the version that was pressed to disc, sold, and became an unexpected hit. Knowing he lived without a father, they fed and nurtured him. [122] He was released from the hospital in May, and quickly resumed practicing his trumpet playing. His resonant, velvety lower-register tone and bubbling cadences on sides such as "Lazy River" exerted a huge influence on younger white singers such as Bing Crosby. Ses enregistrements Satch Plays Fats, toutes les mélodies de Fats Waller, et Louis Armstrong Plays W.C. His agent Johnny Collins's erratic behavior and his own spending ways left Armstrong short of cash. A new visitors center is planned.[140]. Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. La noblesse d'un phrasé impérial, l'éclat et la […] Louis Armstrong naît à La Nouvelle-Orléans. [21] Armstrong joined a quartet of boys who sang in the streets for money. Louis Armstrong continue ses tournées à un rythme effréné et ne s’arrête que quelques années avant sa mort. Écoutez gratuitement en ligne la musique de louis armstrong sur Last.fm. 1922 Louis Armstrong rejoint à Chicago le Creole Jazz Band de King Oliver. Handy (1954) and Satch Plays Fats (all Fats Waller tunes) (1955) were both being considered masterpieces, as well as moderately well selling. ou La Vie en rose. ? [46] His recordings soon after with pianist Earl "Fatha" Hines (most famously their 1928 "Weather Bird" duet) and Armstrong's trumpet introduction to and solo in "West End Blues" remain some of the most famous and influential improvisations in jazz history. Grâce à son jeu, la trompette est devenue un instrument soliste de jazz. He returned to Gretna on several occasions to visit her. [87] However, in December 2012, 57-year-old Sharon Preston-Folta claimed to be his daughter from a 1950s affair between Armstrong and Lucille "Sweets" Preston, a dancer at the Cotton Club. Vous ne voulez pas voir de publicités ?Mettez à niveau maintenant, Dites-nous ce que vous pensez du site Web de Last.fm. [94] and something of a riff on his unusual embouchure. His influence on Henderson's tenor sax soloist, Coleman Hawkins, can be judged by listening to the records made by the band during this period. [84] His relationship with Alpha, however, began while he was playing at the Vendome during the 1920s and continued long after. Armstrong described his time with Marable as "going to the University", since it gave him a wider experience working with written arrangements. The word "muggles" was a slang term for marijuana, something he used often during his life. He also toured Africa, Europe, and Asia under the sponsorship of the US State Department with great success, earning the nickname "Ambassador Satch" and inspiring Dave Brubeck to compose his jazz musical The Real Ambassadors. His performance of "Hello Dolly" won for best male pop vocal performance at the 1964 Grammy Awards. Dans ces disques, Louis Armstrong créa quasiment à lui seul le rôle de soliste de jazz, transformant ce qui était à l’origine une musique folklorique collective en un art d’expression individuelle. le scat His participation in Dave Brubeck's high-concept jazz musical The Real Ambassadors (1963) was critically acclaimed, and features "Summer Song", one of Armstrong's most popular vocal efforts. [86], Armstrong's marriages never produced any offspring. Il n'y a pas de solo, sauf dans les breaks*, qui dépassent rarement deux ou quatre mesures. [137], Congo Square was a common gathering place for African-Americans in New Orleans for dancing and performing music. The nickname "Pops" came from Armstrong's own tendency to forget people's names and simply call them "Pops" instead. His act included singing and telling tales of New Orleans characters, especially preachers. [citation needed], Oliver's band was among the most influential jazz bands in Chicago in the early 1920s. Find album reviews, stream songs, credits and award information for 24 Chefs d'Cueuvres - Louis Armstrong on AllMusic - 2003 Ray Charles, la voix du rythm'n'blues ? He was baptized a Catholic in the Sacred Heart of Jesus Church in New Orleans,[99] and he met Pope Pius XII and Pope Paul VI. Johnny Hallyday The new group was announced at the opening of Billy Berg's Supper Club. "[102] His laxative use began as a child when his mother would collect dandelions and peppergrass around the railroad tracks to give to her children for their health. [24] Life at the home was spartan. ? [124] He was interred in Flushing Cemetery, Flushing, in Queens, New York City. autobiographie However, a growing generation gap became apparent between him and the young jazz musicians who emerged in the postwar era such as Charlie Parker, Miles Davis, and Sonny Rollins. louis armstrong ». Grandissant dans un quartier difficile, il exerce de nombreux petits métiers (porteur de charbon, livreur de journaux, balayeur de tombes) pour aider sa famille. Somebody called my name?" Des musiciens critiquent Armstrong parce qu'il joue face à des publics ségrégationistes, parce qu'il ne prenait pas assez parti pour le Mouvement des droits civiques, ce qui a pu l'assimiler à un Oncle Tom. Les lèvres meurtries, il ne retrouvera jamais sa virtuosité. [4] Around 1922, he followed his mentor, Joe "King" Oliver, to Chicago to play in the Creole Jazz Band. An album of the same title was quickly created around the song, and also shot to number one (knocking The Beatles off the top of the chart). Dans la moitié des années 1930, il atteint une assurance calme, sachant exactement ce qu’il voulait faire et exécutant ses idées à la perfection. His recordings for Columbia Records, Louis Armstrong Plays W.C. [136], The US Open tennis tournament's former main stadium was named Louis Armstrong Stadium in honor of Armstrong who had lived a few blocks from the site. Linkedin : https://www.linkedin.com/company/groupedeboeck He used laxatives to control his weight, a practice he advocated both to acquaintances and in the diet plans he published under the title Lose Weight the Satchmo Way. The same applies to his 1952 studio recording of the song "Chloe", where the choir in the background sings "Louie ... Louie", with Armstrong responding "What was that? [126], Armstrong was posthumously awarded the Grammy Lifetime Achievement Award in 1972 by the Academy of Recording Arts and Sciences. Cortázar qualifia un jour Louis Armstrong de Grandísimo Cronopio (plus grand Cronopio). Son influence sur Bing Crosby est particulièrement importante étant donné le développement ultérieur de la musique populaire : Crosby admirait et copiait Armstrong, comme on peut le constater sur beaucoup de ses premiers enregistrements, notamment « Just One More Chance » (1931). Alors que certains ont vu en lui une personnalité chaleureuse et conviviale, d'autres lui ont reproché de trop vouloir plaire au public blanc et d'être une caricature de troubadour. De tels disques furent des succès et le chant scat devint une partie essentielle de ses représentations. À sa sortie, le disque connaît un succès mondial et la chanson est ensuite reprise par les plus grands chanteurs internationaux. Earl Kenneth Hines naît le 28 décembre 1905 à Duquesne (Pensylvanie) dans une famille de musiciens : son père joue du cornet dans l'Eureka Brass Band, sa mère est organiste, sa sœur pr […] Over a twelve-month period starting in November 1925, this quintet produced twenty-four records. [15], The Karnoffskys[16] took him in and treated him like family. By the 1950s, he was an official spokesman for Ansatz-Creme Lip Salve. On February 4, 1924, he married Lil Hardin Armstrong, King Oliver's pianist. [119] In February 1968, he also appeared with Lara Saint Paul on the Italian RAI television channel where he performed "Grassa e Bella", a track he sang in Italian for the Italian market and C.D.I. After spending many years on the road, Armstrong settled permanently in Queens, New York in 1943 in contentment with his fourth wife, Lucille. Meckna, Michael; Satchmo, The Louis Armstrong Encyclopedia, Greenwood Press, Connecticut & London, 2004. By the end of Armstrong's career in the 1960s, his influence had spread to popular music in general. [93], The nicknames "Satchmo" and "Satch" are short for "Satchelmouth". Louis Armstrong quitte en 1924 le Creole Jazz Band de Joe «King» Oliver, établi à […] Quel est le titre de ce roman noir de Benoit Séverac? Plus tôt, il a aussi été connu sous le surnom de Dippermouth (« bouche plongeante »). By 1968, he was approaching 70 and his health began to give out. Hines and Armstrong became fast friends and successful collaborators. as the bandleader Louis. He also made a cameo appearance as a vocalist, regularly stealing the show with his rendition of "Ain't Misbehavin'". His influence upon Crosby is particularly important with regard to the subsequent development of popular music: Crosby admired and copied Armstrong, as is evident on many of his early recordings, notably "Just One More Chance" (1931). On his 1964 record "Hello, Dolly", he sings, "This is Lewis, Dolly" but in 1933 he made a record called "Laughin' Louie". Particulièrement, les morceaux du disque Hot 5 comportent souvent des fautes mineures et des notes ratées, qui néanmoins diminuent peu le plaisir de l’écoute puisque l’énergie de la prestation spontanée est transmise. Vers 1950, Louis Armstrong réduit son groupe à six membres, revenant au style Dixieland qui l'a rendu célèbre à ses débuts. Armstrong's famous interpretation of Carmichael's "Stardust" became one of the most successful versions of this song ever recorded, showcasing Armstrong's unique vocal sound and style and his innovative approach to singing songs that had already become standards. Le New Grove Dictionary Of Jazz décrit la dette de Crosby à Armstrong en détail, bien qu’il ne désigne pas explicitement Armstrong : « Crosby […] était important en introduisant, dans le courant du chant populaire, un concept afro-américain de chant comme une extension lyrique de la parole, de l’élocution […] Ses techniques – relâchant le poids de son souffle sur les cordes vocales, passant en de voix de tête dans un registre grave, en mettant en avant la production pour aider une prononciation marquée, chantant sur les consonnes (une habitude chez les chanteurs noirs), et employant une discrète utilisation des appoggiatures, des mordants et des liaisons pour accentuer le texte – ont été imitées par presque tous les chanteurs populaires ultérieurs[23]. Discography of American Historical Recordings, Discografia Nazionale della Canzone Italiana, Notices dans des dictionnaires ou encyclopédies généralistes, Aéroport international Louis Armstrong de La Nouvelle-Orléans, Répertoire international des sources musicales, Citations et commentaires sur Louis Armstrong, https://fr.wikipedia.org/w/index.php?title=Louis_Armstrong&oldid=175801536, Article contenant un appel à traduction en anglais, Catégorie Commons avec lien local identique sur Wikidata, Page pointant vers des bases relatives à la musique, Page pointant vers des bases relatives à l'audiovisuel, Page pointant vers des bases relatives aux beaux-arts, Page pointant vers des dictionnaires ou encyclopédies généralistes, Article de Wikipédia avec notice d'autorité, Portail:La Nouvelle-Orléans/Articles liés, Portail:Biographie/Articles liés/Culture et arts, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence. Louis Armstrong : sa vie, son Œuvre. [17][18] In his memoir Louis Armstrong + the Jewish Family in New Orleans, La., the Year of 1907, he described his discovery that this family was also subject to discrimination by "other white folks" who felt that they were better than Jews: "I was only seven years old but I could easily see the ungodly treatment that the white folks were handing the poor Jewish family whom I worked for. Les comédies musicales Louis fait partie … Armstrong repart pour New York en 1929, puis pour Los Angeles en 1930, et effectue une tournée en Europe. [96] When he did speak out, it made national news, including his criticism of President Eisenhower, calling him "two-faced" and "gutless" because of his inaction during the conflict over school desegregation in Little Rock, Arkansas, in 1957. Morgenstern, Dan, and Sheldon Meyer (2004). [67] While touring Australia, 1954, he was asked if he could play bebop. Armstrong lived luxuriously in his own apartment with his first private bath. Armstrong was virtually the first to create significant variations based on the chord harmonies of the songs instead of merely on the melodies. On various live records he's called "Louie" on stage, such as on the 1952 "Can Anyone Explain?" Il apprend à jouer du cornet[6] à pistons dans l’orchestre de ce foyer, grâce à son premier instrument offert par les Karnofsky[7], une famille juive d’origine russe qui s'était prise d'affection pour l'enfant[8]. Les athlètes de la voix He had a large collection of recordings, including reel-to-reel tapes, which he took on the road with him in a trunk during his later career.   [97] The FBI kept a file on Armstrong for his outspokenness about integration. Faisant le lien entre l'interprétation du blues rural des origi […] He lived in this household with two stepbrothers for several months. During this time, Armstrong recorded with Clarence Williams (a friend from New Orleans), the Williams Blue Five, Sidney Bechet, and blues singers Alberta Hunter, Ma Rainey, and Bessie Smith. In 2002, the Louis Armstrong's Hot Five and Hot Seven recordings (1925–1928) were preserved in the United States National Recording Registry, a registry of recordings selected yearly by the National Recording Preservation Board for preservation in the National Recording Registry of the Library of Congress. Armstrong is renowned for his charismatic stage presence and voice as well as his trumpet playing. Armstrong also had considerable success with vocal recordings, including versions of famous songs composed by his old friend Hoagy Carmichael. ..."Uh-huh"..."Sure"..."Way down, way down." [25], Armstrong developed his cornet skills by playing in the band. [27], On June 14, 1914, Armstrong was released into the custody of his father and his new stepmother, Gertrude. In 1961 the All Stars participated in two albums—The Great Summit and The Great Reunion (now together as a single disc) with Duke Ellington. In 1964, Armstrong knocked The Beatles off the top of the Billboard Hot 100 chart with "Hello, Dolly! Instagram :https://www.instagram.com/editionsdeboecksuperieur. Il connaît également des tournées à succès en Afrique, en Europe et en Asie avec le soutien du Département d'État américain et il est bientôt surnommé « Ambassador Satch ». [35], His first studio recordings were with Oliver for Gennett Records on April 5–6, 1923. [51], Armstrong returned to New York in 1929, where he played in the pit orchestra for the musical Hot Chocolates, an all-black revue written by Andy Razaf and pianist Fats Waller. Il joue à partir de 1918 dans les brass bands avec l'orchestre réputé de Fate Marable sur les bateaux à vapeur qui remontent le Mississippi[11]. Armstrong appeared on the October 28, 1970, Johnny Cash Show, where he sang Nat King Cole's hit "Ramblin' Rose" and joined Cash to re-create his performance backing Jimmie Rodgers on "Blue Yodel No. Armstrong's playing technique, honed by constant practice, extended the range, tone and capabilities of the trumpet. «  ARMSTRONG LOUIS (1901-1971)  » est également traité dans : Louis Armstrong est, avec « Duke » Ellington et Charlie Parker, un des trois génies reconnus de la musique de jazz. It was used as the title of a 2010 biography of Armstrong by Terry Teachout. Longtemps avant, néanmoins, Armstrong s’amusait avec ses chansons, raccourcissant et rallongeant des phrases, plaçant des improvisations, utilisant sa voix d’une manière aussi créative que sa trompette. Plusieurs autres dates ont été avancées, parmi lesquelles le 4 juillet 1900, jour de la fête nationale américaine (Independence Day) ; la date du 4 août 1901 semble désormais avérée. [36], Lil Hardin Armstrong urged him to seek more prominent billing and develop his style apart from the influence of Oliver. ? He was a masterful accompanist and ensemble player in addition to his extraordinary skills as a soloist. Il eut du succès avec son interprétation et son chant scat sur Heebie Jeebies, et criait « I done forgot the words » au milieu de son enregistrement « I'm A Ding Dong Daddy From Dumas ». Il a aussi popularisé un nouveau style vocal, le scat, basé sur l'improvisation. [43], The Hot Five included Kid Ory (trombone), Johnny Dodds (clarinet), Johnny St. Cyr (banjo), Lil Armstrong on piano, and usually no drummer. Another tale is that because of his large mouth, he was nicknamed "satchel mouth" which was shortened to "Satchmo".[91]. Le peu d'exceptions furent d'autant plus efficaces lorsqu'il parlait ; la critique qu'il fit d'Eisenhower, Président des États-Unis d'Amérique, en le qualifiant de « double face » et de « mou » lors du conflit sur la discrimination à l'école à Little Rock, Arkansas, en 1957, fit la une nationale. Il resta fidèle à son genre. Il joue dans l'orchestre d'Erskine Tate, le Vendome Orchestra[18], joue à l'occasion avec Clarence Jones et Carroll Dickerson (en) avant de former le Hot Seven[19], et d'enregistrer jusqu'en décembre 1928 quelques-uns des grands classiques du jazz comme Potato Head Blues (en), Muggles (recording) (en), Fireworks, et surtout deux chefs-d'œuvre, West End Blues (28 juin 1928) et Tight Like This (12 décembre 1928) chez la firme Okey ; le jeu de Louis à la trompette est révolutionnaire ; son introduction virtuose dans West End Blues demeure l'une des plus célèbres de l’histoire du jazz et reste un modèle pour les générations suivantes d'instrumentistes, dont beaucoup l'apprendront par cœur et la joueront à la note près.

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